Third Volume of the “Live In 1967” Series Available Now From John Mayall
- Jul 16, 2023
- 1 min read
Updated: Sep 8, 2023

“Live in 1967 - Volume Three” is the final installment in a series of releases from John Mayall and Forty Below Records that capture the historic grouping of Bluesbreakers that formed after Mick Fleetwood joined with Peter Green and John McVie to back The Godfather of British Blues. The music this squad produced inspired not only audiences, but the musicians themselves as well as they embarked on their journey as the founding members of Fleetwood Mac. Five of the concerts John, Mick, John and Peter performed in that short but prolific period were captured on reel-to-reel by super-fan Tom Huissen. The existence of these recordings was discovered by John over forty years later, and this three-album series resulted from this discovery, the historic blending of musical brilliance from Mayall, Green, McVie and Fleetwood, and some technological magic performed by John and co-producer Eric Corne. The series has been wildly popular with John’s fanbase and many others. 2016's "Live in 1967 - Volume Two" was hailed as a "welcome second helping" by Rolling Stone.
“Live In 1967 - Volume Three” is the second album John Mayall has released since his retirement announcement in late 2021. It follows his triumphant “The Sun Is Shining Down” which was nominated for Best Traditional Blues Album for the 2022 Grammy Awards. Even in retirement, John Mayall continues to thrill!
TRACK LISTING
1. Brand New Start (Manor House)
2. Tears In My Eyes (Manor House)
3. Stand Back Baby (Bromley)
4. Greeny (Ram Jam)
5. Talk to Your Daughter (Klooks Kleek)
6. Your Funeral and My Trial (Manor House)
7. The Stumble (Manor House)
8. Double Trouble (Bromley)
Produced by John Mayall and Eric Corne

























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I enjoyed this update because it feels like more than a release note; it captures a real piece of blues history. The mention of Peter Green, John McVie, Mick Fleetwood, and those reel-to-reel recordings discovered decades later gives the album extra weight and makes Volume Three feel special, not just archival. I also like seeing a track list included, because it turns curiosity into anticipation right away. For me, projects like this show why outreach seo still matters: great music stories deserve to reach the right audience through thoughtful digital visibility, not get buried while louder but less meaningful content takes the spotlight online.
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It is sad that this comment section has been inundated by bots and spam.
I have volume 1 of 1967 and plan to get volumes 2 and 3 based on how great the first volume is.